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| Movie (Year) | Scene/Moment | Why It’s Notable | | :--- | :--- | :--- | | | “Sajanaji Vaari Vaari” | Her first major dance hit. Paired with a yellow saree and effortless sway, it announced her as a commercial force. | | Namastey London (2007) | “Maine Paal Rakha Hai” | The quintessential “angry-young-woman-in-a-crop-top” scene. It fused attitude with folk-dance energy. | | Singh Is Kinng (2008) | “Teri Ore” | A rare emotional item song . No pelvic thrusts—just raw, crying-in-the-rain longing. Proved she could do pathos in a musical format. | | Sheila Ki Jawani (2010) – Tees Maar Khan | The entire song picturization | The gold standard . Her green sequined outfit, the hip sway, the direct gaze. This single scene made the flop film memorable. | | Chikni Chameli (2012) – Agneepath | The mud-wrestling dance | Reinvented the item number as raw, rural, and aggressive. Broke her “glamour-only” image. | | Kamli (2013) – Dhoom 3 | The mirrored costume, solo desert dance | A technical marvel: no backup dancers, just her against geometric mirrors. |