The Pattern of Thoughts (original Norwegian title: Mønster av tanker ) refers to a recurring diagrammatic approach in Fehn’s sketches and built work. Rather than formal geometries, Fehn used “patterns” derived from landscapes, vernacular buildings, and phenomenological experiences.
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Unlike typical monographs, The Pattern of Thoughts is deeply personal. It collects Fehn’s sketches, handwritten notes, and reflections on projects like the Nordic Pavilion in Venice and the Hedmark Museum. The “pattern” refers to his method—layering intuition, site-specific memory, and structural clarity. Reading it feels like overhearing a quiet master thinking aloud. The Pattern of Thoughts (original Norwegian title: Mønster