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The French New Wave movement of the 1960s brought a fresh perspective to the concept of time in cinema. Filmmakers like Jean-Luc Godard and François Truffaut experimented with non-linear storytelling, using techniques like jump cuts and freeze frames to disrupt the traditional flow of time. Godard's (1960) and Truffaut's The 400 Blows (1959) redefined the boundaries of time in cinema, inspiring a new wave of filmmakers to push the limits of narrative storytelling.
David Bordwell and Kristin Thompson, the titans of narrative theory, argued that filmmakers manipulate three temporal aspects: 351St Time Sex Videos-Sex2050 IN- 3gp
