Once, years after Sonofka’s death, a gallery owner installed a painting attributed to him—a small canvas of a garden gate. The gallery charged a fine ticket price and served champagne to congratulate the collectors. On opening night, a gust of wind abandoned a single leaflet on the gallery floor. An old woman stooped, found the leaflet, and pressed it to her palm. It was a ticket stub from a painting that had opened a plaza. She stood still for a long time, and then the color in the painting stirred: the gate opened, and for a breath the party’s chatter hushed. Those who had paid for exclusivity felt something like guilt; the old woman smiled. She closed the gate with a careful hand.
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