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Fashion historian Sujatha Shankar notes: "Jayalalithaa understood that the male gaze in politics is dismissive of women. By dressing with extreme perfection—whether in sequins or silk—she forced the viewer to respect her. You could not look at her and see a 'woman politician.' You saw a 'leader.'"

. Long before she became the "Amma" of Tamil Nadu politics, her wardrobe was a centerpiece of her stardom, characterized by a bold willingness to experiment with Western silhouettes and avant-garde accessories. The Cinematic Fashion Gallery (1960s–1970s)