One of the film’s central concerns is the stark division between first‑class aristocracy and third‑class immigrants. Cameron dramatizes these differences through set design, costume, and dialogue. The opulent ballrooms contrast sharply with the lively steerage decks, emphasizing how the ship’s physical spaces mirrored societal hierarchies. Yet the romance between Jack and Rose serves as a narrative bridge, suggesting that love can transcend entrenched barriers—though the tragedy ultimately underscores the limits of such transcendence.
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