You can use this for a video essay, a panel introduction, a social media campaign, or a magazine editorial.
By the 1990s and early 2000s, the situation had calcified. A landmark study by the Annenberg Inclusion Initiative at USC found that in the top 100 grossing films of 2007, only 20% of female characters over 40 had speaking roles. Mature women existed in two binary states: the nurturing, sexless grandmother or the shrill, obstructive harpy. They were plot devices, not protagonists. They existed to die (motivating a younger hero), to nag (obstructing a romance), or to provide comic relief. redmilf rachel steele eric i give up 10 work