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Take Drishyam (2013)—arguably the greatest "common man" thriller ever made. The protagonist, Georgekutty, wins not by firing a gun, but by using his encyclopedic knowledge of the local cable TV schedule and the state’s police bureaucracy. He weaponizes intelligence . Similarly, Jana Gana Mana (2022) spends its runtime dissecting the legal system, police brutality, and communal politics—topics every Malayali feels qualified to discuss.